Just curious to see what others think/do. If you wanna bring out the click/beater sound of a mic'd kick drum, do you prefer a parametric with a narrower bandwidth, or a high-shelf? I use both, but to my ear, a high-shelf almost always sounds more natural.
For some reason I've never used an exciter on a kick - will try that asap, sounds cool. Other than that I can only agree with anticlick, that's what I do as well. For more air I like to use a drum replacer and add a sample of the kick recorded from the overhead to the "normal" kick - normally you don't hear much of the kick in the overheads when the whole kit is playing but this way you can add as much as you want. A cool effect sometimes. Regards, - Jonas
Moving the mic around inside the kick will probably be the best option, than tweaking it with the eq. I'm pretty new to this stuff, but I have found that getting it right without the eq (on the kick especially) will save you some stress. It's amazing the different sounds you will get inside a kick drum depending on where it is positioned..
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First, cut 170 if there's a paper/cardboard sound. Note this is fairly close to the "farty" 240hZ portion of Bass guitar which is usually in need of a cut. The transition at this range is usually good for seperation of kick and Bass. Work with it. I Boost 4KhZ on most kicks.
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ive been using the Waves SSL Channel Strip w/ Chris Lord Age presets as a starting point, those unfamiliar, def check it out....great base point for some eq/compression. has presets for alot of stuff to, vocals, drums, guitar, bass....room mics..... check it out