I have a Korg Trinity Plus, and it's pretty much the same as the Triton, except for the arpeggiator section and the sampler. Anyway, the coolest tricks can be pulled by controlling a program's parameters with a MIDI sequencer. If you can get your hands on Logic Audio for the MIDI controls and record the resulting sounds with Pro Tools, you have a very complete setup there. For example, in a double oscillator program, you can assign Wet/Dry settings for the oscillators FX to a fader or switch in Logic while controlling the filters and LFOs of the first oscillator with with Logic's X/Y controller screen and assign the amount of cut off frequency of a second oscillator to a virtual knob in Logic and assign some aftertouch vibrato that can be then tweaked with HyperDraw... and you'd be using no plug ins on PT or Logic, and will get low memory/processor load on your computer.